Anamorphic Lens iPhone To Buy - Reviews
By: Hafiza
The lens develops an anamorphic lens iPhone flare that resembles what you see in movies when it is exposed to bright light during nighttime shots, such as from street lights, automobile headlights, or any other hard light source. By compressing the image, the anamorphic lens is able to capture more horizontal detail thanks to its oval bokeh. Normal phone video is transformed into a 16:9 widescreen movie with an anamorphic lens. When the appropriate light hits the lens and creates these delicious flares on your clip, it makes video appear smoother.
Wide landscape images benefit from anamorphic lenses since they can show off the wider perspective. Anamorphic lens iPhone, however, can also enhance the drama of up-close photographs. Their limited depth of field produces a remarkable contrast between the background blur and the sharply defined subject. Specialty devices called anamorphic lenses modify how pictures are projected onto the camera sensor. Cinematographers have grown accustomed to their distinctive aesthetic since they were first developed, albeit their primary purpose was to enable a broader range of aspect ratios to fit into a typical film frame.
Yet to improve those wide-angle images, you need the best anamorphic lens for iPhone devices. There are various anamorphic lenses available, ranging from the best to the worst. Three rear cameras are present on the iPhone 14 Pro: a primary wide-angle camera, an ultra-wide camera, and a telephoto camera with a 3x optical zoom. Anamorphic lenses can intensify the appeal of everyday activities and enhance the beauty of spectacular portraits, close-ups of flora, and candid photographs. Using a typical 4:3 size sensor, anamorphic lenses horizontally compress pictures to provide an art factually wider field of view (FOV).
Normal phone video is transformed into a 16:9 widescreen movie with an anamorphic lens. When the appropriate light hits the lens and creates these delicious flares on your clip, it makes video appear smoother. We deliver cinematic-quality video to your phone. Black bars at the top and bottom of the video give it a timeless cinematic appearance. Without an anamorphic lens iPhone, you must crop out the top and bottom portions of the scene. Anamorphic eliminates the need for this. The 2.40:1 aspect ratio is captured naturally by the lens. Instead of the spherical lens elements present in the majority of camera lenses, true anamorphic lenses include distinctive horizontal lens elements.
The distinctive oval bokeh, unusual light abnormalities, and horizontal lens flares seen in old anamorphic are produced by these cylindrical optics and vintage-style coatings. Compared to conventional camera lenses, anamorphic lens iPhone enable cinematographers to capture wider pictures on film. Also, they don’t produce the conventional wide-angle lenses’ close-up distortion. The corners of the frame have a dreamlike, soft feel, but the core remains genuine. Using a typical 4:3 size sensor, anamorphic lenses horizontally compress pictures to provide an art factually wider field of view (FOV). Without using a wide-angle lens, a technique known as de-squeezing produces a wider aspect ratio in post-production.
The cinematography method known as anamorphic format involves shooting a widescreen image on conventional 35 mm film or another type of visual recording medium with a non-widescreen native aspect ratio. Anamorphic lenses have a turbulent history. The lens was first employed in World War I to provide tank personnel with a larger field of view. Filmmakers discovered they could employ this new invention in their craft after the war. The image that is projected onto the camera sensor is horizontally compressed using an anamorphic lens. These lenses will give you a wide field of view in addition to the traditional cinemascope distortion. The anamorphic ranges we offer at Moment are 1.33x and 1.55.
Reviews & Purchasing Experiences
SiFO purchase and review “Should be your first moment lens” Absolutely loving the footage this lens captures I love it. I got mine from amazon and it was dirty, had smudges on the lens so I had to pull out the lens cleaner and have at it unfortunate but got it fixed Second, please read this carefully as it’s annoying, Read more….
Imaging with a 1.55X widescreen and 2.76:1 wide-screen ratio creates a visual experience similar to going to the movies. The spectacular blue flares can be captured by the cinematic lens when filming in intense point light. The lens is compatible with most mobile phones (for iPhone 14 13 12 11 Series, for Samsung Galaxy S21–22, for Huawei P40–P50 series, Xiaomi 12 series) and tablets (for iPads Pro (2021)/ Air 5/ mini6, etc.) since it has a standard M mount that is simple to install and connect with. The split design of the anamorphic lens iPhone and mount, along with the perfect 4-point magnetic alignment, make it simple to quickly and accurately change the direction of the lens.
The design incorporates Panavision anamorphic lens iPhone legacy, and traditional color matching blends vintage lens components to provide a singular viewing experience. A movie-level scenario is provided right away thanks to this portable video making tool, which is also suited for shooting with a stabilizer. By vertically stretching a wider image onto your phone’s sensor, anamorphic lenses achieve this. With this anamorphic lens iPhone, your horizontal field of view is increased by 55%, giving videos a 2.76:1 aspect ratio as opposed to the spherical, or non-anamorphic, ratio of 16:9. (1.78:1). in movies, “anamorphic” lenses are most frequently utilized.
They were originally designed to create a bigger image from a movie frame rather than merely cropping the top and bottom of the frame. They accomplish this by horizontally optically compressing the image at the instant of capture. The projected image would then be de-squeezed horizontally for playback. A bigger aspect ratio image was as a result recorded on a typical aspect ratio frame of film. The distinctive blurring or “bokeh” of professional settings can be convincingly replicated by placing small lenses in front of phones using case mountings. Using the phone’s tiny digital sensor, they compress and convert the image so that it can subsequently be squeezed with the help of installed apps like FilmicPro.
Reviews & Purchasing Experiences
Liam purchase and review “Always great stuff” I love small rig and when I saw the camera cage I couldn’t wait for the anamorphic lens to come out. To be fair, I never tried other lenses for my phone. But I do love the look this puts out. It’s a magnetic mount that the lens itself sits on. Surprisingly strong the only think I don’t care for is the fact that you need to by a magnetic 52mm filter if you want to do any filming in bright sunlight.
The aspect ratio of the Small Rig 1.55X anamorphic lens iPhone 3578 is 2.76:1. Without any compression or cropping, 55% more horizontal space is acquired as compared to the standard 16:9 aspect ratio, creating a widescreen-like visual impression. Also, due to the structure of the lens, incredible blue flares will be visible while shooting in bright point light. The anamorphic lens iPhone includes an easy-to-install standard M mount that is suited for phone cages, phone cases, and lens clips with an mount and works with the majority of cell phones and tablets.
The split design of the lens and mount, along with the perfect 4-point magnetic alignment, make it simple to quickly and accurately change the direction of the lens. The brand-new style combines vintage lens components with the Panavision Anamorphic lens’s heritage and traditional color matching. Its compact design and light weight make it portable for shooting films or using with a stabilizer.
The Small rig 1.55x anamorphic lens iPhone comes with everything you need to get started, including the cage, in a cute small travel bag. There is even a filter mount, and it can be fastened to the smartphone using a spring clip that is included. Sadly, I discovered that using the clip alone made it nearly impossible to align the lens properly. I’m sure it can be done, but knowing I could use the cage as a last resort made me lose patience.
Actually, the anamorphic lens is split into two pieces. Four powerful magnets hold the two parts together. This suggests, in my opinion, that once the mount component is in position, additional types of lenses might be readily mounted and removed. I must say that at first I did fear that the lens would be easy to lose, but I have carried it around attached without any major problems. Without a doubt, it has never come off.
Reviews & Purchasing Experiences
Z. B. Robbins purchase and review “A Superb Option for Anamorphic Video” This is easily one of the best (if not THE best) anamorphic lens options for smartphones / mobile filmmaking. Read more…
Only one UVAL-1.55X anamorphic lens iPhone and its accessories are used. Also, there is the UVMP-Mini phone case, which is designed specifically for the iPhone 12 Mini and has a 17mm Thread on the back for mounting the UVAL-1.55X Anamorphic Lens quickly. Hence, if you purchase this bundle, you won’t need to use a phone clip to mount the anamorphic lens. This bundle will make it simple for you to attach your anamorphic lens to your iPhone 12 Mini since the UVMP-Mini case features a 17mm thread on the back that allows you to attach the UVAL-1.55X with ease. The coveted smartphone filmmaking tool is the uskeyvision 1.55X anamorphic lens iPhone.
The 2.76:1 super widescreen ratio’s natural appearance and personality are included into the design of the UVAL-1.55X cinematic anamorphic lens. You can photograph with a wider focal length in the horizontal direction and a longer focal length in the vertical with the help of the 1.55X Anamorphic lens. Only the Fotor Cam or Filmic Pro apps may be used with this anamorphic lens, therefore download Filmic Pro before starting any filming. And the requirement to use this Lens may require you to subscribe to these apps. The uskeyvision 1.55X anamorphic lens iPhone comes with a metal phone clip that is universal and makes it easy to attach the lens to your phone.
You can use the uskeyvision anamorphic phone lens with any phone gimbal or phone rig to shoot extremely wide-angle cinematic landscape photography and videography. The uskeyvision 1.55X anamorphic phone lens comes with a metal phone clip that is universal and makes it easy to attach the lens to your phone. You can use the uskeyvision anamorphic phone lens with any phone gimbal or phone rig to shoot extremely wide-angle cinematic landscape photography and videography.
For phone filmmaking, use a 1.55XS anamorphic lens iPhone with a cinematic 2.76:1 super widescreen aspect ratio. The holy grail of smartphone filmmaking, with blue or purple flares much like a Hollywood movie, is this anamorphic lens. Wider horizontal and longer vertical focus lengths are produced with 1.55X Anamorphic lenses. Any Android phones having a native camera in the center of the phone’s back may not be compatible with the added lens. A uskeyvision 1.55X anamorphic lens iPhone, lens case bag, cleaning cloth, universal phone clip, and metal phone clip are all included in the package.
Only the FotorCam or Filmic Pro apps may be used with this 1.55XS anamorphic lens, thus download Filmic Pro before shooting any video or making any films. And the necessity to use this smartphone anamorphic lens or to change the video ratio using post-editing tools, such as Adobe AE or PR, may need the purchase of this app. Additional Phone Mounting Options with Phone Mount Clips. The uskeyvision 1.55X anamorphic lens iPhone comes with a metal phone clip that is universal and makes it easy to attach the lens to your phone.
You can use the USKEYVISION anamorphic phone lens with any phone gimbal or phone rig to shoot extremely wide-angle cinematic landscape photography and videography. Anamorphosis is a clever perspective method used in the visual arts that produces a distorted image of the subject when viewed from the conventional viewpoint, but is accomplished in such a way that the distortion vanishes when viewed from a specific angle or reflected in a curved mirror.
Reviews & Purchasing Experiences
Christopher English purchase and review “I love this lens” I make short films with my phone and I must say that this is a great little lens. I choose the 1.55 version but they also make a 1.33 version as well. Will I have no problem with soft or distorted edges; Read more…